Brian Wooten of Chameleous ★ on Wicked Din

The band

Brian Wooten

pedal steel and lap steel

Music has been my obsession for as long as I can remember. It all started when I was five, watching the gloriously terrible TV movie Kiss Meets the Phantom of the Park. That was the exact moment I got hooked, and I knew right then that I had to play guitar. It took a few years, but I finally started lessons at eleven—and 31 years later, the passion hasn't faded one bit.

Since high school, I’ve played in several bands around Knoxville, spanning everything from gospel to thrash metal. Years ago, I even played lead guitar alongside Mac in a rock group called Every Man a King.

My journey with steel guitar started on a total whim about 14 years ago when I bought both a pedal steel and a lap steel within a single week. I messed around with them briefly before throwing them in a closet, where they sat untouched for years. Fast forward to around 2021 or 2022, when Mac called and asked if I wanted to play steel for his new project. I pulled them out of storage, put on fresh strings, and dove headfirst into figuring them out. Joining Chameleous is my first time playing pedal and lap steel in a live setting, and while the learning curve has been steep, it’s been an absolute blast.

On Wicked Din

Lap steel guitar on I Knew, The Beanstalk Speaks, Wicked Din, Soup A.

Pedal steel guitar on Kiss Hello, Lonely Lady, Life Fever, Unshakable No.

Albums I love

Records Brian keeps going back to.

  • Amanda Shires: Nobodies Girl
  • Primus: Green Naugahyde
  • Todd Snider: Live Storyteller
  • Pantera: The Great Southern Trendkill
  • Guns N' Roses: Appetite for Destruction
  • Clutch: Blast Tyrant
  • Jason Isbell and the 400 Unit: The Nashville Sound
  • Southern Culture on the Skids: Liquored up & Lacquered Down
  • Drive-By Truckers: Dirty South
  • Kiss: Hotter than Hell
  • Aerosmith: Rocks
  • Cody Jinks: Lifers
  • Flying Burrito Bros: Gilded Palace of Sin
  • Pink Floyd: Dark Side of the Moon
  • John Prine: John Prine

Photographs

15 shots Brian is in. The whole gallery.

Brian Wooten of Chameleous
Brian Wooten with Rich Adlin, Neil Coleman, Mac Bartine and Forrest Wallace
Brian Wooten with Forrest Wentzel, Heath Nicholls, Mac Bartine, Josh Buchanan and Rich Adlin
Brian Wooten of Chameleous
Brian Wooten of Chameleous
Brian Wooten with Mac Bartine, Forrest Wentzel, Rich Adlin and Josh Buchanan
Brian Wooten with Rich Adlin, Heath Nicholls, Mac Bartine, Jules Bryce and J Miller
Liz Salem, lizzylovephotography.com
Brian Wooten with Rich Adlin, Heath Nicholls, Mac Bartine, Jules Bryce and J Miller
Liz Salem, lizzylovephotography.com
Brian Wooten of Chameleous
Brian Wooten with J Miller
Brian Wooten with Heath Nicholls, Mac Bartine, J Miller and Rich Adlin
Brian Wooten with Rich Adlin, Neil Coleman, Mac Bartine, Forrest Wallace and Andy Stewart
Brian Wooten with Rich Adlin, Neil Coleman, Mac Bartine, Forrest Wallace and Andy Stewart
Brian Wooten with Forrest Wallace and Neil Coleman
Brian Wooten with Rich Adlin, Mac Bartine and Andy Stewart

What the press said

Brian Wooten's pedal steel drifts in and out like fog off a ridge, less a nod to Nashville than a colour, a texture used the way a painter might use grey: not for sentiment, but for depth.

Indie Dock Music Blog

Jules' unusual synthesizer textures, Rich Adlin's experimental guitar sounds and Brian Wooten's haunting lap steel create an especially distinctive sonic palette.

Dulaxi

… keeping Brian Wooten's pedal steel and lap steel work specifically because those instruments honor the band's Tennessee roots even while the broader album moves through considerable additional territory spanning blues, swing, jazz, and synth-driven rock textures.

Apricot Magazine