@font-face {
  font-family: 'Righteous';
  src: url(../fonts/righteous.woff2) format('woff2');
  font-weight: 400; font-style: normal; font-display: swap;
}
@font-face {
  font-family: 'Space Mono';
  src: url(../fonts/spacemono.woff2) format('woff2');
  font-weight: 400; font-style: normal; font-display: swap;
}
/* Libre Baskerville (OFL), for the hero clippings only. Upstream ships a
   variable font at ~165KB per style; scripts/make_fonts.py pins the weight axis
   at 400 and subsets, which is how these are 16KB and 18KB. Italic is not
   optional -- album titles are <em> everywhere on this site, and a browser
   faking oblique on a Baskerville looks like a mistake rather than a style. */
@font-face {
  font-family: 'Libre Baskerville';
  src: url(../fonts/librebaskerville.woff2) format('woff2');
  font-weight: 400; font-style: normal; font-display: swap;
}
@font-face {
  font-family: 'Libre Baskerville';
  src: url(../fonts/librebaskerville-italic.woff2) format('woff2');
  font-weight: 400; font-style: italic; font-display: swap;
}

:root {
  --ink: #140b1c;
  --ink-2: #1d1128;
  --panel: #221430;
  --cream: #f3ead9;
  --cream-dim: #cdbfae;
  --magenta: #e93d9b;
  --green: #8ed133;
  --tangerine: #f2892e;
  --cyan: #4cc8d6;
  --hairline: rgba(243, 234, 217, 0.14);
  --display: 'Righteous', 'Avenir Next', sans-serif;
  --body: 'Avenir Next', 'Seravek', -apple-system, 'Segoe UI', sans-serif;
  --mono: 'Space Mono', 'SF Mono', Menlo, monospace;
  --serif: 'Libre Baskerville', 'Iowan Old Style', Georgia, serif;
}

* { box-sizing: border-box; }
html { scroll-behavior: smooth; }
body {
  margin: 0;
  background: var(--ink);
  color: var(--cream);
  font-family: var(--body);
  font-size: 17px;
  line-height: 1.6;
  -webkit-font-smoothing: antialiased;
}
img { max-width: 100%; height: auto; display: block; }
a { color: var(--cyan); }
a:focus-visible, button:focus-visible, input:focus-visible {
  outline: 2px solid var(--green);
  outline-offset: 3px;
}

/* Screen-reader-only text. clip-path rather than the old clip/1px-height trick,
   which some engines collapse into an unreadable single line. */
.vh {
  position: absolute; width: 1px; height: 1px;
  overflow: hidden; white-space: nowrap;
  clip-path: inset(50%);
}

/* "Opens in a new tab", on the buttons that hand somebody to Bandcamp. Inherits
   the button's colour, so it works on both the magenta primary and the green
   ghost without a second rule. Sits on the text baseline and never wraps away
   from its label. */
.ext {
  display: inline-block; vertical-align: -1px; margin-left: 7px;
  fill: none; stroke: currentColor; stroke-width: 1.5;
  stroke-linecap: round; stroke-linejoin: round;
  opacity: 0.75;
}
a:hover .ext { opacity: 1; }

.wrap { max-width: 1080px; margin: 0 auto; padding: 0 24px; }

/* ---------- Nav ---------- */
nav {
  position: sticky; top: 0; z-index: 50;
  background: color-mix(in srgb, var(--ink) 82%, transparent);
  backdrop-filter: blur(10px);
  border-bottom: 1px solid var(--hairline);
}
.nav-inner {
  max-width: 1080px; margin: 0 auto; padding: 14px 24px;
  display: flex; align-items: center; gap: 28px;
}
.nav-mark {
  font-family: var(--display);
  font-size: 20px; letter-spacing: 0.04em;
  color: var(--cream); text-decoration: none;
}
.nav-mark span { color: var(--magenta); }
.nav-links { display: flex; gap: 22px; margin-left: auto; flex-wrap: wrap; }
.nav-links a {
  color: var(--cream-dim); text-decoration: none;
  font-size: 13px; letter-spacing: 0.14em; text-transform: uppercase;
}
.nav-links a:hover { color: var(--green); }

/* ---------- Hero ---------- */
header {
  position: relative;
  padding: 40px 24px 88px;
  text-align: center;
  overflow: hidden;
}
/* Three layers under the wordmark, painting in DOM order: video, then the plum
   wash that makes type legible over it, then the existing magenta/green glow.
   None of them needs a z-index -- every element above carries position: relative,
   which is the whole reason those declarations are there. */
.hero-video {
  position: absolute; inset: 0;
  width: 100%; height: 100%; object-fit: cover;
  opacity: 0.55; pointer-events: none;
}
.hero-veil {
  position: absolute; inset: 0; pointer-events: none;
  /* Opaque ink at both ends so the hero melts into the nav above and the album
     section below; ~60% plum across the middle, which is what buys contrast for
     the cream wordmark over a lit stage.
     The top ramp reaches that plateau at 13%, not 24% -- the longer version put
     faces in the upper third behind most of a second layer of black. It can
     afford to be short because the nav has its own ground: 82% ink plus a 10px
     backdrop blur, so nothing up there depends on the veil. */
  background: linear-gradient(180deg,
    var(--ink) 0%,
    rgba(34, 20, 48, 0.52) 13%,
    rgba(34, 20, 48, 0.52) 68%,
    var(--ink) 100%);
}
.hero-glow {
  position: absolute; inset: 0; pointer-events: none;
  background:
    radial-gradient(ellipse 620px 480px at 50% 46%, rgba(233, 61, 155, 0.17), transparent 65%),
    radial-gradient(ellipse 900px 600px at 50% 60%, rgba(142, 209, 51, 0.08), transparent 70%);
}
.arch { width: min(680px, 92%); margin: 0 auto; position: relative; }
.arch text {
  font-family: var(--display);
  font-size: 108px;
  fill: var(--cream);
  letter-spacing: 6px;
}
.hero-logo {
  width: min(380px, 72vw);
  margin: -30px auto 0;
  position: relative;
  filter: drop-shadow(0 18px 60px rgba(233, 61, 155, 0.35));
}
.hero-tag {
  position: relative;
  margin: 34px auto 8px;
  max-width: 34ch;
  font-size: 21px;
  line-height: 1.45;
  text-wrap: balance;
  color: var(--cream);
}
.hero-tag em { color: var(--tangerine); font-style: normal; }
.hero-sub {
  position: relative;
  color: var(--cream-dim);
  font-size: 14px; letter-spacing: 0.18em; text-transform: uppercase;
  margin: 0 0 34px;
}
.cta-row { position: relative; display: flex; gap: 14px; justify-content: center; flex-wrap: wrap; }
.btn {
  display: inline-block;
  font-family: var(--display);
  font-size: 16px; letter-spacing: 0.05em;
  text-decoration: none;
  padding: 13px 28px;
  border-radius: 999px;
  transition: transform 0.15s ease, box-shadow 0.15s ease;
}
.btn-primary {
  background: var(--magenta); color: #fff;
  box-shadow: 0 6px 24px rgba(233, 61, 155, 0.4);
}
.btn-primary:hover { transform: translateY(-2px); box-shadow: 0 10px 30px rgba(233, 61, 155, 0.55); }
.btn-ghost {
  color: var(--green);
  border: 2px solid var(--green);
}
.btn-ghost:hover { transform: translateY(-2px); background: rgba(142, 209, 51, 0.1); }

@media (prefers-reduced-motion: no-preference) {
  .rise { animation: rise 0.7s cubic-bezier(0.2, 0.7, 0.3, 1) both; }
  .rise-2 { animation-delay: 0.12s; }
  .rise-3 { animation-delay: 0.24s; }
  .rise-4 { animation-delay: 0.36s; }
  @keyframes rise {
    from { opacity: 0; transform: translateY(18px); }
    to { opacity: 1; transform: none; }
  }
}

/* ---------- Hero marquee ---------- */
/* Press clippings taped either side of the chameleon, cut like gig posters.

   The reference is Hatch Show Print -- the Nashville letterpress shop that has
   been printing show bills on wood type since 1879, which is about as close to
   this band's own geography as a print tradition gets. What that look is made of
   is cheap to reproduce in CSS and all of it is here: cream stock, a heavy black
   keyline, flat spot colour knocked out of register, thick rules, and the venue
   bar reversed out in solid black along the bottom.

   The spot colour walks magenta -> green -> tangerine -> cyan down the set, the
   same palette walk /press and the song pages use, so this reads as house style
   rather than as a new idea.

   These cards are the brightest thing on the page and they are meant to be. The
   restraint is in the size and in never showing two at once -- the chameleon is
   still what the eye lands on. */
.hero-marquee {
  list-style: none;
  margin: 0; padding: 0;
  position: absolute; inset: 0;
  pointer-events: none;
}
.hm-slot {
  position: absolute;
  /* Measured, not eyeballed: at 44% the cards sat 14px high of the chameleon's
     centre at every width. 45.5% of an 867px header is the value that lines them
     up with it. */
  top: 45.5%;
  width: clamp(240px, 19vw, 320px);
  transform: translateY(-50%);
  opacity: 0;
  visibility: hidden;
  transition: opacity 0.6s ease, visibility 0s linear 0.6s;
}
.hm-slot:nth-child(odd)  { right: calc(50% + 238px); }
.hm-slot:nth-child(even) { left:  calc(50% + 238px); }

/* Visibility is expressed the way round it is so that the page works before and
   without JavaScript. The FIRST card is visible by default; the script adds
   .live to the list, which hands control over to .on and takes it away from
   :first-child. Written the other way round -- everything hidden until a class
   arrives -- the hero would show no clipping at all with JS off, which is how
   this was first built and why it is written down here.
   .live outranks :first-child on specificity (0,4,0 against 0,2,0), so the swap
   does not depend on rule order. */
.hm-slot:first-child,
.hero-marquee.live .hm-slot.on {
  opacity: 1;
  visibility: visible;
  transition: opacity 0.6s ease, visibility 0s;
}
.hero-marquee.live .hm-slot:not(.on) {
  opacity: 0;
  visibility: hidden;
  transition: opacity 0.6s ease, visibility 0s linear 0.6s;
}

.hm-card {
  display: block;
  pointer-events: auto;
  text-decoration: none;
  position: relative;
  /* Poster stock, not screen white, and flat -- no gradient. */
  background: #f2ecdd;
  border: 2px solid #141014;
  /* The second colour, printed a fraction out of register. A hard offset with no
     blur is the whole difference between "screenprint" and "web card"; the
     moment this gets a blur radius it stops being ink and starts being a
     drop-shadow again. */
  box-shadow: 8px 8px 0 var(--accent, var(--magenta));
  transform: rotate(-1.6deg);
  transition: transform 0.25s ease, box-shadow 0.25s ease;
}
.hm-slot:nth-child(even) .hm-card { transform: rotate(1.6deg); }
.hm-card:hover, .hm-card:focus-visible {
  transform: rotate(0deg);
  box-shadow: 3px 3px 0 var(--accent, var(--magenta));
}

/* Newsprint tooth. Two hairline grids a prime number of pixels apart so they
   never resolve into a visible pattern, at an opacity where you feel it rather
   than see it. Behind the type, and pointer-transparent. */
.hm-card::before {
  content: "";
  position: absolute; inset: 0;
  pointer-events: none;
  background-image:
    repeating-linear-gradient(0deg,  rgba(20,16,20,0.05) 0 1px, transparent 1px 3px),
    repeating-linear-gradient(90deg, rgba(20,16,20,0.04) 0 1px, transparent 1px 4px);
}
.hm-q {
  position: relative;
  font-family: var(--serif);
  /* header is text-align: center, and a centred serif in a 280px column reads as
     a wedding invitation rather than a cutting. Poster copy sets ragged-right. */
  text-align: left;
  font-size: 15px;
  /* Tighter than reading text on purpose. A show bill sets its block dense; the
     air goes around the block, not inside it. */
  line-height: 1.42;
  color: #141014;
  margin: 0;
  padding: 18px 18px 16px;
}
.hm-q em { font-style: italic; }
.hm-cite {
  position: relative;
  /* Reversed out of solid black, edge to edge -- the bar along the bottom of a
     poster that carries the venue and the date. */
  background: #141014;
  color: var(--cream);
  font-family: var(--mono);
  font-size: 10px; letter-spacing: 0.18em; text-transform: uppercase;
  text-align: left;
  margin: 0;
  padding: 8px 18px 9px;
}
/* The one flash of spot colour inside the bar, so the card reads as two inks
   rather than black with a coloured shadow. */
.hm-cite::before {
  content: "\2605";
  color: var(--accent, var(--magenta));
  margin-right: 9px;
  font-size: 12px;
  line-height: 0;
  vertical-align: -1px;
}
@media (max-width: 1139px) { .hero-marquee { display: none; } }
@media (prefers-reduced-motion: reduce) {
  /* Every selector that sets a transition above has to be named here. A bare
     `.hm-slot` was tried first and did nothing: it scores 0,1,0 against the
     0,4,0 of `.hero-marquee.live .hm-slot.on`, and a media query adds no
     specificity of its own. Verified by reading computed style, not by
     assuming -- media-query rules on this site have silently lost this exact
     argument before. */
  .hero-marquee .hm-slot,
  .hero-marquee.live .hm-slot.on,
  .hero-marquee.live .hm-slot:not(.on),
  .hero-marquee .hm-card { transition: none; }
}

/* ---------- Section scaffolding ---------- */
section { padding: 78px 0; }
.eyebrow {
  font-family: var(--mono);
  font-size: 13px; letter-spacing: 0.22em; text-transform: uppercase;
  margin: 0 0 10px;
}
h2 {
  font-family: var(--display);
  font-weight: 400;
  font-size: clamp(30px, 4.5vw, 44px);
  line-height: 1.1;
  letter-spacing: 0.02em;
  margin: 0 0 18px;
  text-wrap: balance;
}

/* ---------- Album ---------- */
#album { background: var(--ink-2); border-top: 1px solid var(--hairline); border-bottom: 1px solid var(--hairline); }
#album .eyebrow { color: var(--tangerine); }
.album-grid {
  display: grid;
  grid-template-columns: 300px 1fr;
  gap: 48px;
  align-items: start;
}
@media (max-width: 760px) { .album-grid { grid-template-columns: 1fr; } }
.album-cover {
  border-radius: 8px;
  box-shadow: 0 24px 60px rgba(0, 0, 0, 0.55), 0 0 0 1px var(--hairline);
}
.album-player { margin-top: 14px; border: 0; width: 100%; height: 42px; }
.album-note { color: var(--cream-dim); font-size: 15px; margin-top: 18px; line-height: 1.55; }
.tracks-lead {
  margin: 0 0 16px; color: var(--cream-dim); font-size: 15px;
  line-height: 1.55; max-width: 46ch;
}
.tracks { list-style: none; margin: 0; padding: 0; }
/* The tracklist rows lead to the song pages, so they need to look like it --
   otherwise the section reads as a plain listing and nobody clicks through. */
.tracks-linked li { cursor: pointer; }
.tracks-linked a { border-bottom: 1px solid rgba(243, 234, 217, 0.22); }
.tracks-linked li::after {
  content: "›"; font-family: var(--display); color: var(--cream-dim);
  margin-left: 12px; opacity: 0; transform: translateX(-4px);
  transition: opacity 0.15s ease, transform 0.15s ease;
}
.tracks-linked li:hover::after { opacity: 1; transform: none; color: var(--magenta); }
.tracks-linked li:hover a { border-bottom-color: var(--magenta); }
.tracks li {
  display: flex; align-items: baseline; gap: 16px;
  padding: 13px 10px;
  border-bottom: 1px solid var(--hairline);
  transition: background 0.15s ease;
}
.tracks li:hover { background: rgba(233, 61, 155, 0.08); }
.tracks a { color: var(--cream); text-decoration: none; font-size: 18px; }
.tracks li:hover a { color: var(--magenta); }
.t-num { font-family: var(--mono); color: var(--green); font-size: 14px; width: 2ch; flex: none; }
.t-time { font-family: var(--mono); color: var(--cream-dim); font-size: 14px; margin-left: auto; font-variant-numeric: tabular-nums; }
.album-cta { margin-top: 26px; display: flex; gap: 14px; flex-wrap: wrap; }

/* ---------- Band photo band ---------- */
.photo-band { position: relative; padding: 0; }
/* 5:3, and that number is a constraint rather than a taste call. The photo is a
   4:3 live shot, and the brief was to lose no more than a tenth off the top and
   a tenth off the bottom. Under object-fit: cover the visible slice is
   containerHeight / (width * 3/4), so keeping 80% of the frame means the box can
   be no wider than 5:3 — anything flatter starts eating the lighting rig and the
   monitors. Centred, so the trim is even at both ends.
   Swapping in a photo of a different shape means redoing that sum. */
.photo-band img {
  width: 100%; height: auto; aspect-ratio: 5 / 3;
  object-fit: cover; object-position: 50% 50%;
}
.photo-band::after {
  content: "";
  position: absolute; inset: 0;
  /* Top ramp is 15%, not the 30% it used to be. These are percentages of the
     section, and the section roughly doubled in height when the live shot went
     in at 5:3 -- so the same 30% went from shading ~138px to ~308px and started
     swallowing the stage lights. The bottom ramp stays where it is: the caption
     sits in it and needs the contrast. */
  background: linear-gradient(180deg, var(--ink) 0%, transparent 15%, transparent 62%, var(--ink) 100%),
              linear-gradient(90deg, rgba(233,61,155,0.16), rgba(76,200,214,0.14));
  pointer-events: none;
}
/* Centred rather than parked at the bottom. The band photo is the only
   full-bleed break on the page, so it may as well be the thing that sends people
   to a ticket instead of just looking nice. */
.photo-caption {
  position: absolute; left: 0; right: 0; top: 50%; z-index: 2;
  transform: translateY(-50%);
  display: flex; flex-direction: column; align-items: center; gap: 20px;
  padding: 0 24px;
}
.photo-caption .pc-line {
  margin: 0;
  font-family: var(--display);
  font-size: clamp(30px, 5.6vw, 62px);
  letter-spacing: 0.03em; line-height: 1.05; color: var(--cream);
  /* The section gradient is deliberately LIGHTEST between 15% and 62%, which is
     exactly where this now sits -- so the type carries its own shade rather than
     relying on the scrim above and below it. */
  text-shadow: 0 2px 10px rgba(0, 0, 0, 0.9), 0 6px 40px rgba(0, 0, 0, 0.75);
}
.photo-caption span { color: var(--green); }

/* ---------- About ---------- */
.about-grid { display: grid; grid-template-columns: 1.2fr 0.8fr; gap: 56px; align-items: center; }
@media (max-width: 760px) { .about-grid { grid-template-columns: 1fr; } }
#about .eyebrow { color: var(--cyan); }
#about p { max-width: 62ch; color: var(--cream-dim); }
#about p strong { color: var(--cream); font-weight: 600; }
.about-photo { border-radius: 10px; box-shadow: 0 24px 60px rgba(0, 0, 0, 0.5); }
.sounds-like {
  margin-top: 22px; display: flex; gap: 10px; flex-wrap: wrap;
}
.sounds-like span {
  font-family: var(--mono); font-size: 13px;
  padding: 6px 14px; border-radius: 999px;
  border: 1px solid var(--hairline); color: var(--cream-dim);
}
.book-row { margin-top: 30px; }

/* ---------- Mailing list ---------- */
#list { background: var(--panel); border-top: 1px solid var(--hairline); border-bottom: 1px solid var(--hairline); text-align: center; }
#list .eyebrow { color: var(--magenta); }
#list p { max-width: 46ch; margin: 0 auto 28px; color: var(--cream-dim); }
.signup {
  display: flex; gap: 10px; justify-content: center; flex-wrap: wrap;
}
.signup input[type="email"] {
  font-family: var(--body); font-size: 16px;
  background: var(--ink); color: var(--cream);
  border: 1px solid var(--hairline); border-radius: 999px;
  padding: 13px 22px; width: min(340px, 80vw);
}
.signup input::placeholder { color: var(--cream-dim); }
.signup button {
  font-family: var(--display); font-size: 16px; letter-spacing: 0.05em;
  background: var(--green); color: var(--ink);
  border: none; border-radius: 999px; padding: 13px 28px; cursor: pointer;
  transition: transform 0.15s ease;
}
.signup button:hover { transform: translateY(-2px); }
.signup button:disabled { opacity: 0.6; cursor: default; transform: none; }
.signup-msg { margin-top: 14px; font-size: 15px; min-height: 1.4em; }
.signup-msg.ok { color: var(--green); }
.signup-msg.err { color: var(--tangerine); }
.hp { position: absolute; left: -9999px; opacity: 0; pointer-events: none; }

/* ---------- Footer ---------- */
footer {
  padding: 44px 24px 54px;
  text-align: center;
  color: var(--cream-dim);
  font-size: 14px;
}
footer .sig { font-family: var(--display); letter-spacing: 0.04em; color: var(--cream); margin-bottom: 8px; }
footer .sig b { color: var(--tangerine); font-weight: 400; }
footer a { color: var(--cream-dim); }
.foot-links { display: flex; gap: 18px; justify-content: center; margin: 14px 0 18px; flex-wrap: wrap; }
.foot-links a {
  font-family: var(--mono); font-size: 13px; letter-spacing: 0.08em;
  text-decoration: none; text-transform: uppercase;
}
.foot-links a:hover { color: var(--green); }

/* ---------- Press quotes ---------- */
/* Generated into the HTML at build time from notes/press/, so these appear on
   pages that never load press-coverage.css -- the homepage, the song pages, the
   songs hub. That is why they live here rather than there.

   Their own accent, on purpose. Three quote treatments now share the site and a
   reader should be able to tell them apart without reading the attribution:
   green rule = a publication, tangerine = the band's own pick (.fan), magenta
   = a fan (.q). Cyan stays reserved for the margin notes on song pages. */
.pq-list { display: grid; gap: 22px; max-width: 66ch; margin: 0 0 16px; }
.pq {
  margin: 0; padding: 2px 0 2px 20px;
  border-left: 3px solid var(--green);
}
.pq p {
  margin: 0 0 8px; color: var(--cream);
  font-size: 18px; line-height: 1.55; font-style: italic;
}
/* The whole quote is already italic, so an album title set italic inside it is
   invisible. Flip it upright instead — the standard way to mark a title within
   italic copy, and it actually reads. */
.pq p em, .pc-pull p em, .pc-snip em, .pk-quote p em { font-style: normal; }
.pq cite {
  font-family: var(--mono); font-size: 12px; letter-spacing: 0.12em;
  text-transform: uppercase; color: var(--cream-dim); font-style: normal;
}
.pq cite a { color: var(--cream-dim); text-decoration: none; }
.pq cite a:hover { color: var(--green); }

@media (max-width: 560px) {
  .pq { padding-left: 15px; }
  .pq p { font-size: 16.5px; }
}

/* ---------- Homepage press: the poster ---------- */
/* This used to be three 18px quotes in a 66ch column with two-fifths of the
   width empty, and it read as a footnote. A poster does the opposite: one line
   big enough to carry the section, then the outlets as marks under it.

   The panel background is not decoration either -- #press, #about and #said were
   three transparent sections in a row between two panelled ones, and that flat
   run is what made the middle of the page sag. */
#press {
  background: var(--panel);
  border-top: 1px solid var(--hairline);
  border-bottom: 1px solid var(--hairline);
}
#press .eyebrow { color: var(--tangerine); }

/* No max-width on this element. `ch` resolves against the element's OWN
   font-size, and this one inherits 16px body text while the quote inside it runs
   at up to 44px -- so a limit here reads as ~200px and shreds the line into one
   word per row. The measure belongs on the <p>, where the big font is. */
.pq-lead { margin: 6px 0 34px; position: relative; padding-left: 62px; }
/* Decorative, behind the text and out of the a11y tree -- same treatment the fan
   quotes use, scaled up to match. */
.pq-lead::before {
  content: "\201C";
  position: absolute; left: 0; top: -20px;
  font-family: var(--display); font-size: 118px; line-height: 1;
  color: var(--magenta); opacity: 0.3; pointer-events: none;
}
.pq-lead p {
  margin: 0 0 18px; color: var(--cream);
  font-family: var(--display); font-weight: 400;
  font-size: clamp(25px, 3.6vw, 44px); line-height: 1.14;
  letter-spacing: 0.01em; text-wrap: balance;
  max-width: 19ch;
}
.pq-lead p em { font-style: normal; color: var(--tangerine); }
.pq-lead cite {
  font-family: var(--mono); font-size: 12px; letter-spacing: 0.18em;
  text-transform: uppercase; font-style: normal;
}
.pq-lead cite a { color: var(--cream-dim); text-decoration: none; }
.pq-lead cite a:hover { color: var(--green); }

/* The roster. Every outlet that has covered the band, so the row fills out on
   its own as coverage lands. */
.pq-stamps { display: flex; flex-wrap: wrap; gap: 12px; margin: 0 0 30px; }
.pq-stamp {
  display: flex; flex-direction: column; gap: 3px;
  padding: 11px 20px; border: 1px solid var(--hairline); border-radius: 10px;
  text-decoration: none; background: rgba(0, 0, 0, 0.16);
  transition: border-color 0.16s ease, transform 0.16s ease;
}
.pq-stamp:hover { border-color: var(--magenta); transform: translateY(-2px); }
.pq-stamp .s-pub {
  font-family: var(--display); font-size: 16px; letter-spacing: 0.02em;
  color: var(--cream);
}
.pq-stamp .s-kind {
  font-family: var(--mono); font-size: 10px; letter-spacing: 0.18em;
  text-transform: uppercase; color: var(--cream-dim);
}

@media (max-width: 560px) {
  .pq-lead { padding-left: 30px; }
  .pq-lead::before { font-size: 96px; left: -4px; top: -10px; }
  .pq-stamp { padding: 9px 15px; }
}
@media (prefers-reduced-motion: reduce) {
  .pq-stamp { transition: none; }
  .pq-stamp:hover { transform: none; }
}

/* ---------- From the crowd (#said) ---------- */
/* The section used to be a bare JS-injected card with no eyebrow, no h2 and no
   CSS of its own, which is why it read as a widget dropped on the page rather
   than a section of it. The heading now lives in the HTML like every other
   section's, and the studio quotes give it something to hold while there are no
   fan quotes yet. */
#said .eyebrow { color: var(--cyan); }

.studio { margin: 0 0 40px; }
.studio-head {
  font-family: var(--mono); font-size: 12px; letter-spacing: 0.2em;
  text-transform: uppercase; color: var(--cream-dim); margin: 0 0 20px;
}
.sq-list {
  display: grid; grid-template-columns: repeat(auto-fit, minmax(240px, 1fr));
  gap: 24px; margin-bottom: 18px;
}
.sq { margin: 0; }
/* Cyan, and that is not a free choice: green already means a publication,
   tangerine the band's own pick, magenta a fan. The engineer is a fourth voice
   and gets the one accent left. */
.sq blockquote {
  margin: 0 0 10px; padding-left: 16px; border-left: 2px solid var(--cyan);
  color: var(--cream); font-size: 16.5px; line-height: 1.55; font-style: italic;
}
.sq figcaption {
  padding-left: 18px;
  font-family: var(--mono); font-size: 11px; letter-spacing: 0.16em;
  text-transform: uppercase; color: var(--cream-dim);
}
.sq-on { margin-left: 8px; }
.sq-on a { color: var(--cyan); text-decoration: none; }
.sq-on a:hover { color: var(--magenta); }
.studio-who {
  font-size: 14px; line-height: 1.6; color: var(--cream-dim);
  max-width: 62ch; margin: 0;
}
.studio-who em { font-style: italic; color: var(--cream); }
.studio-who a { color: var(--cyan); }

/* ---------- Fan quotes (public/assets/js/quotes.js) ---------- */
/* Used on the song pages, the homepage and /book-us. A [data-quotes] block
   starts hidden and the script unhides it only if it has something to show. */
[data-quotes][hidden] { display: none; }

.q-panel {
  background: color-mix(in srgb, var(--ink-2) 70%, transparent);
  border: 1px solid var(--hairline);
  border-radius: 16px;
  padding: 30px 32px;
  max-width: 68ch;
}
.q-head {
  font-family: var(--display); font-weight: 400;
  font-size: clamp(20px, 2.6vw, 25px); letter-spacing: 0.02em;
  margin: 0 0 22px; color: var(--tangerine);
}

/* ---- the quotes ---- */
.q-list { display: grid; gap: 26px; margin-bottom: 28px; }
.q { margin: 0; position: relative; padding-left: 34px; }
/* The mark is decoration, so it sits behind the text and out of the a11y tree
   rather than being read out before every quote. */
.q::before {
  content: "\201C";
  position: absolute; left: -2px; top: -14px;
  font-family: var(--display); font-size: 54px; line-height: 1;
  color: var(--magenta); opacity: 0.55;
}
.q blockquote {
  margin: 0 0 8px; color: var(--cream);
  font-size: 18px; line-height: 1.55;
}
.q figcaption {
  font-family: var(--mono); font-size: 11px; letter-spacing: 0.16em;
  text-transform: uppercase; color: var(--cream-dim);
}
.q-song { color: var(--magenta); margin-left: 8px; }

/* ---- the invitation ---- */
.q-add { border-top: 1px solid var(--hairline); padding-top: 20px; }
.q-list + .q-add { margin-top: 2px; }
.q-panel > .q-add:first-of-type:not(:nth-child(2)) { border-top: 0; padding-top: 0; }
.q-add summary {
  display: flex; align-items: center; gap: 14px; flex-wrap: wrap;
  cursor: pointer; list-style: none;
}
.q-add summary::-webkit-details-marker { display: none; }
.q-prompt { color: var(--cream-dim); font-size: 15px; }
.q-open {
  font-family: var(--display); font-size: 14px; letter-spacing: 0.05em;
  color: var(--green); border: 1px solid var(--green);
  border-radius: 999px; padding: 8px 20px; transition: background 0.14s ease;
}
.q-add summary:hover .q-open { background: rgba(142, 209, 51, 0.12); }
.q-add[open] summary { margin-bottom: 20px; }
.q-add[open] .q-open { color: var(--cream-dim); border-color: var(--hairline); }

/* ---- the form ---- */
.q-row { display: grid; grid-template-columns: 1fr 1fr; gap: 0 16px; }
@media (max-width: 560px) { .q-row { grid-template-columns: 1fr; } }
.q-field { margin: 0 0 16px; position: relative; }
.q-field label {
  display: block; font-family: var(--mono); font-size: 10px;
  letter-spacing: 0.16em; text-transform: uppercase;
  color: var(--cream-dim); margin-bottom: 7px;
}
.q-field .q-opt { text-transform: none; letter-spacing: 0.02em; opacity: 0.6; margin-left: 5px; }
.q-field input, .q-field select, .q-field textarea {
  width: 100%; display: block;
  font-family: var(--body); font-size: 15px;
  background: var(--ink); color: var(--cream);
  border: 1px solid var(--hairline); border-radius: 10px;
  padding: 11px 14px;
  transition: border-color 0.14s ease, box-shadow 0.14s ease;
}
.q-field textarea { min-height: 104px; resize: vertical; line-height: 1.5; }
.q-field input::placeholder, .q-field textarea::placeholder { color: var(--cream-dim); opacity: 0.5; }
.q-field input:focus, .q-field select:focus, .q-field textarea:focus {
  outline: none; border-color: var(--green);
  box-shadow: 0 0 0 3px rgba(142, 209, 51, 0.14);
}
.q-count {
  position: absolute; right: 12px; bottom: 10px;
  font-family: var(--mono); font-size: 10px; color: var(--cream-dim);
  opacity: 0.55; pointer-events: none;
}
.q-count.low { color: var(--tangerine); opacity: 1; }

.q-actions { display: flex; gap: 14px; align-items: center; flex-wrap: wrap; }
.q-send {
  font-family: var(--display); font-size: 15px; letter-spacing: 0.04em;
  background: var(--magenta); color: #fff; border: none;
  border-radius: 999px; padding: 11px 28px; cursor: pointer;
  box-shadow: 0 5px 20px rgba(233, 61, 155, 0.32);
  transition: transform 0.14s ease;
}
.q-send:hover { transform: translateY(-1px); }
.q-send:disabled { opacity: 0.55; cursor: default; transform: none; box-shadow: none; }
.q-msg { font-size: 14px; color: var(--cream-dim); }
.q-msg.err { color: var(--tangerine); }
.q-note { font-size: 13px; color: var(--cream-dim); opacity: 0.8; margin: 16px 0 0; }
.q-thanks { color: var(--green); font-size: 17px; line-height: 1.5; margin: 0; }

@media (max-width: 560px) {
  .q-panel { padding: 24px 20px; border-radius: 14px; }
}